Rebor’s concept is at the center of the urban scene. The author introduces himself into the nooks of the public space, goes searching for walls that show signs of dampness or simple negligence, where he insinuates his stretch, creating icons filtered by memory, sometimes destined to remain on the wall surface, in other cases cut by skilled artisans with the aim of proposing them individually in the exhibition space, or even amplifying its diffusion with the technique of poster art.