The art of Carlo Zoli crosses the boundaries between sculpture and space, transforming colour and geometry into an intense, perceptive experience.
The complexity of the forms that the artist uses creates a tension between daily and domestic experience and a metaphysical horizon of vision, in which the unusual becomes universal.
In the art of Carlo Zoli, what is visual becomes tactile and vice versa: in fact, not only is colour conceived in a sculptural way by way of form, substance and volume, but the idea of painting is extensive to space, like the articulation of planes that incorporates all objects in its presence.
In this sense the choice of ceramic as a material betrays one conception of sculpture that goes beyond the principle of representation and that aspires to the creation of a place both physical and mental.